The Grawlix Cinematic Universe podcast reviews The Inglorious Bastards (1978) and Quentin Tarantino’s Inglourious Basterds (2009). Wacky!
Grawlix Cinematic Universe
From the people that brought you The Grawlix Podcast comes a new, timeless classic. Two nerds embark on a journey to find the next big movie mega-franchise. Two nerds. Two movies. One CINEMATIC UNIVERSE!
Several outtakes from GCU #27 set the scene for a cautionary story of one man and his unhealthy affinity for powdered energy drink formula
Joined by guest Jesse Kiefer the Grawlix Cinematic Universe reviews the Sonny Chiba classic, The Street Fighter (1974), and Quentin Tarantino’s Kill Bill Vol. 2.
First on our hitlist is Lady Snowblood, the 1973 revenge classic directed by Toshiya Fujita based on the manga series of the same name. This movie served as a clear inspiration for our second review, Quentin Tarantino’s Kill Bill Vol. 1.
GCU is joined by Mike Wood of The Grindbin Podcast to discuss Quentin Tarantino’s Grindhouse film, Death Proof (2007), and a clear Tarantino inspiration, Vanishing Point (1971).
Bonus GCU episode! No cinematic universe here, though. Instead, the boys discuss the DC Universe app including the Doom Patrol and Titans series as well as the app’s comic book selection.
It’s a Pam Grier double feature! The Grawlix Cinematic Universe discusses the 1974 blaxploitation classic, Foxy Brown, and Quentin Tarantino’s 1997 heist movie, Jackie Brown.
GCU discusses the Tarantino penned, Rodriguez directed From Dusk Till Dawn. Then hop over to the comedy anthology experiment Four Rooms, written and directed by Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino.
Time to talk about a true Quentin Tarantino double feature. Up first is the Tarantino penned, Tony Scott directed True Romance, starring Christian Slater and Patricia Arquette. The 2nd movie this episode is Tarantino’s 2nd movie, Pulp Fiction.
It’s a heist double feature! Grawlix Cinematic Universe reviews Quentin Tarantino’s Reservoir Dogs and Stanley Kubrick’s The Killing.